Archive for October, 2009
Phillip Adams’ choreography sometimes repeats a physical action until it achieves the transcendent extremity of a ritual. By taking on the subject matter of mass hysteria and apocalyptic cults, where the held breath of expectation is clothed in mantras and cyclical behaviours, he has found a fitting underpinning. In BalletLab’s 2007 Brindabella, the piece was [...]